Showing posts with label Sean Astin. Show all posts
Showing posts with label Sean Astin. Show all posts

Friday, October 16, 2009

Jay's Movie Reviews: Where The Day Takes You

Welcome back to the very early 1990s with this time capsule of a film I reviewed for dvdsnapshot.com.

"Dude! I had those flannels!"

WHERE THE DAY TAKES YOU


OFFICIAL SYNOPSIS:

It was the film that captured the grim reality of Hollywood's homeless teens, featuring an ensemble of actors delivering the most startling performances of their young careers. On the dark side of Tinsletown, a group of runaways - including tweaker Greg (Sean Astin), legless Manny (Will Smith), unstable Little J (Balthazar Getty), prostitute Kimmy (Alyssa Milano), just-off-the-bus Heather (Lara Flynn Boyle) and their leader, King (Dermot Mulroney) - live each day lost in a spiral of drugs, sex, crime and violence. They have nothing... except each other. Christian Slater, Adam Baldwin, David Arquette and Ricki Lake co-star - with a soundtrack of songs by Melissa Etheridge - in this powerful drama The Austin Chronicle hails as "often so authentic in its depiction of street life that you'll find yourself flinching."

OUR TAKE:

What do you say about a movie where just about everyone in it went on to be rich, famous and omnipresent in pop culture, making it pretty hard to suspend the disbelief that here they're down and dirty street kids?

Back in 1992, this social study and travelogue of the seedy side of Hollywood was filled with good intentions; grim and realistic. Our central character is a 20 year old street kid named King who's trying to keep together and alive a ragtag "family" of street kids, junkies, and prostitutes. Newly out of jail, he rounds up the group of transient teens, has run-ins with pimps and fights, all interspersed with him giving a videotaped interviews to social worker Laura San Giacomo to give it that feeling of verisimilitude.

Unfortunately the aesthetic now seems impossibly dated because it's an art-directed look at poverty and grit that once looked cool and totally "in the moment." 17 years later, the fact that the cast is as accomplished as this one makes it more so. You get to see Will Smith in a wheelchair, Sean Astin huffing, and an fresh-scrubbed Lara Flynn Boyle with her original lips. Every performance is very accomplished, which is certainly a testament to their talent, but when even the junkie bit-players are Kyle McLachlan and Nancy McKeon and the drug counselor is Christian Slater, it's hard to not look at it through the prism of everyone's success (and in some cases, notoriety)

That said, it still packs the wallop of feeling authentic. Kids did and will wind up on the streets, living these lives. They overdose and get murdered. Their confessions in passing to drug use and being molested can move you to tears. They're still young people exuberant enough to still have hope. The heart of Where The Day Takes You is in the right place, and can still move yours.

SPECIAL FEATURES:


I really would have loved a commentary track on this one, as it's such a time capsule of the time it was made. The audio is in Dolby Surround 2.0 English and English, Spanish, and French subtitles are available. Trailers for He Was A Quiet Man, Flashbacks of a Fool, and Where The Day Takes You.

CONCLUSION:

Where The Day Takes You
hasn't aged well simply because everybody in the cast went on to become incredibly accomplished. However, it retains grit and a sense of realism. You can plop the teens in front of it and maybe they'll learn something. It's either a cautionary tale or "There but for the grace of god I almost went."

Also, You can put the thirtysomethings in front of it and we'll admit to each other we dressed like that and thought this movie was so cool when it first came out.

OVERALL PICTURE:
MOVIE: B+
EXTRAS: D

Sunday, September 20, 2009

Jay's Review: Love And Debate (or: "Run Away; Far, Far Away")

This time, I'm using one of my dvdsnapshot reviews to warn you to stay far, far away from a flick, so BEWARE!

LOVE & DEBATE (THANKS TO GRAVITY)

OFFICIAL SYNOPSIS:

Jordan Landa is not your average Latin girl. She has dreams, big ones. As a rising star in the debate world, her elusive dreams seem finally within her grasp. But when the "perfect guy" from her past reappears, so do her desires for a life she thought she didn't want. With beautiful Miami as a backdrop, a cutting-edge soundtrack, and a hot sexy young cast, it is the perfect setting for a girl to choose between Love and Debate.

OUR TAKE:

I’m kind of torn for what to say about Love & Debate. Was the mood wrong? Am I not the audience? Should I attribute it’s meandering plot (filled with random events and a Deus Ex Grandma moment that‘s jaw-dropping in it‘s potential tastelessness) to be perhaps novelistic or “just like real life?” Should I even question or go with the flow when the lead character’s surreally patient boyfriend tolerates two different flip outs she has that seem to come out of absolutely left field?

In the end I’m not sure, though I will throw out a few spoilers while I work it out. What I can say is that Love & Debate is a bland, pedestrian coming of age story about a girl, played the admittedly charming and capable Gina Phillips, who seems to get life handed to her on a platter. Not many people can be thrown out of Harvard then return on a whim two years later. Perhaps it helps to come from a family that only allows you to date Latino-Jewish men... so thank the stars Adam Rodriguez shows up as Elias Cohen (easily my favorite awkward character name since Theresa Lopez-Fitzgerald from Passions). Also, not many girls have a pair of “Betty and Veronica”-lite friends (Rachel Miner as the “my character trait is that I’m Rich” Sophia and Azura Skye’s elfin collegiate lesbian) who have nothing better to do than reflect the light our glory-girl gives off.

The story meanders and hits a pair of pit-stops that can easily alienate an audience. Shirley Knight shows up 25 years to young to essay the Fairy Grandmother she’s playing here. Sean Astin collects what I hope was a decent paycheck. Austin Nichols shows up as a throwaway Teflon date-rapist, and Sandil Ramamurthy plays a character who literally consists of a turban. The film is just tone deaf and weird.

There’s nothing new or inspired here and the story wanders and simpers along. Character motivations come from nowhere and everything you need to know about the big last debate (which would NEVER fly in real life) is telegraphed early. I’d say the whole ending is, but the final wrap is tacked on from out of nowhere...

The music and cinematography are uninspired. The actors however are good, and if you’re charmed by Skye, Knight, or Phillips this may be worth killing time with. Other than that, there’s nothing to recommend here.


SPECIAL FEATURES:
Menu offers Scene Selection, Bonus Features, and Set-Up, along with an execrable theme song.
Set-Up consists of English and Spanish Subtitles. The default audio is Dolby Digital 5.1.
Bonus Features include:
- the original theatrical trailer, which does a good job at making the film look like a middle-of-the-road romance, but doesn't succeed at making it look that watchable...
- 9 deleted scenes
-an alternate ending
-a six minute behind-the-scenes featurette, which is a videotaped interview with Ocean Drive Magazine. -----Finally, there's video of Sandil Ramamurthy's interview... no doubt included to capitalize on his current visibility of Heroes.

CONCLUSION:

The title of this was changed from “Thanks To Gravity” to Love and Debate. The cast and a topical scene debating Universal Health Care are the only reasons I can figure why this ever made it to DVD.

The kids won’t relate, but teenage girls might enjoy it. It is a long, melodramatic story with a female lead who makes Bella from Twilight seem take-charge. But the lack of focus, dearth of grace, and a few perhaps unintentional messages like “throw logic out the window and pull the heartstrings to win a debate” and “just let your date rapist off the hook and choose to forget” would have me thinking twice before exposing a teen to it. Discerning viewers are welcome to give it a spin... then tell me if you found the tone to be off as many times as I did.

OVERALL PICTURE:
MOVIE: D
EXTRAS FEATURES: D