Showing posts with label Freddy Kruger. Show all posts
Showing posts with label Freddy Kruger. Show all posts

Sunday, October 30, 2011

31 Flavors of Horror #30: A Nightmare on Elm Street (2010)

I kinda take a different approach with this entry in the 31 Flavors of Horror series. A Nightmare on Elm Street is one of those remakes that's been analyzed and parsed to death, and it's not really a flick for me. I'm from the generation who got the Robert Englund series. The new one is for a younger crowd, and it compliments the dark heart of the first one, and is miles away from the morbid humor of the rest of the series.. I meant originally to give it the full rehash, but instead  just wound up with five takeaways.

31 Flavors of Horror #30:
A Nightmare on Elm Street (2010)

1) Kellan Lutz is really pretty and scruffy, so it's kind of a shame that we know from the outset he's toast. He's the equivalent of the Drew Barrymore kill in the first Scream movie. As his character Dean, was the new squeeze for Kris (Katie Cassidy) - who herself is a stand-in for the Tina character, you have to figure her ex-boyfriend Jesse (Thomas Dekker) is happy his competition's so quickly eliminated. Cassidy seems younger than Amanda Wyss from the first flick, but plays that scared, flustered look just as well. She's also played as much more of a traditional "Final Girl" in the flm's front half than the Nancy character is.

Cassidy also has a great set of lungs on her (both as a screamer and, well...). Oddly, you don't get the impression she and Jesse get it on, unlike the clearly freshly-shtupped Tina in the first film (tacky, but true). The fact that Tina is portrayed as a 15 year old (!) who's having what looks to be decent sex always bothered me. I always thought Tina must've had some horrible home life, since Wyss had a hardness about her, which I guess says more about me being "judgy" than anything in either film.

(Four more points, and my general gripe of displeasure of Jackie Earle Hailey being so damn good, are all ahead!)

Thursday, October 27, 2011

31 Flavors of Horror #27: Jason Goes To Hell: The Final Friday

 Number Nine? Nine of these things? You have got to be kidding me...


Well, here we are again. One more (exceedingly long-winded) trip to the well, and this time New Line's payin' for dinner. Since you got melted to childhood by toxic waste last time, I didn't think you'd come sniffing around again, but it's another Friday and you're back to wine and dine me.


Even worse, in this one, there's only slightly more Jason than there was in the first Friday the 13th. Like Charlton Heston in Beneath the Planet of the Apes, or Pinhead in any latter Hellraiser flick, he's more framing device than character.


Shall we?

31 Flavors of Horror #27:
Jason Goes To Hell

New Line opens this flick with some warbly music that leads into the signature musical cues as a sleek convertible drives through the sunset up to a cabin that's supposed to be near a certain lake, but has a decided lack of forest and a mountain behind it. This is not your Paramount Pictures Crystal Lake. The driver is a lone pretty lady, all alone and solo-like, arriving at a well-kept cabin in the woods. I think it's safe to assume where this is heading even if her only defining characteristics are her bee-stung lips and baseball cap. She leaves doors open behind her, ducks out of the mirror frame, and lets us watch her strip down to her thong and beyond as she gets ready to shower. Short of putting a "Come and get it, Jason" neon sign in the window, I don't know what she's hoping to accomplish. When the lights go out, our gal pal puts on a towel and heads out to investigate and, sho' nuff, Jason shows up, swinging his machete and showing off some very stringy hair. Towel-girl evades him and runs off into the woods, somehow acquiring shoes in the long shots, and... lures Jason into a grove filled with armed SWAT team members. Turns out she wasn't just a stereotype, she was a decoy.

Overkill be damned they proceed to shoot up and then blow Jason up to a pile of itty bitty pieces, including his still-beating heart. The job might be well done, but the Captain from 21 Jump Street (Stephen Williams) is lurking in the woods, trying to be his best badass in a duster and chewing a stogie, and says "I don't think so." Being that Jason's heart still seems to be beating I'd think that's a fair assessment.

(After the jump, I pick this puppy apart, and mangle the English language to create the phrase "Mer-Gremlin lookin' Ghoolie")