Official Synopsis:
George O'Dowd (Douglas Booth) leaves
home to join the new fashion movement in London and has his world
turned upside down when his dreams of music success become a reality.
Now, with all the drugs, love, fashion, and glamour that accompany
his celebrity lifestyle, can Boy George really find the happiness he
so desperately craves?
Our Take:
“I'm not a drug addict, I'm a drag
addict.”
When Culture Club released their first
album, mainstream England (much less America) wasn't ready
for its gender-bending lead singer, Boy
George. Coyly unwilling to hide his sexuality behind his outrageous
drag, he was one of the most transgressive celebrities of the
Eighties. The songs weren't bad either.
Worried About the Boy
tells the story of Boy George's youth up to the band's formation
paired with his experience of its disintegration. Moving out of his
parents house, he befriends the equally stylish Marilyn and they
become part of the fabled 1980 nightclub scene. Success quickly
followed once he caught the eye of Malcom McLaren, leading to both
super-stardom and a drug habit that ultimately blew the the band
apart at their height.
Relative newcomers Douglas Booth and
Freddie Fox give admirable performances as Boy George and Marilyn.
(It's almost a disappointment when Booth lip-synchs.)
Stylish visuals which propel the storytelling and music from the
scene give the film energy and authority. A TV movie biopic, this is
of a much higher caliber than that pedigree would suggest. Handsomely
filmed, smartly written and acted; (this is an extremely well-crafted
film. One sequence showing the sweet start of a youthful, closeted
romance with Theater of Hate's Kirk Brandon, who later sued over the
revelation) followed by a painful illustration of his dynamic with
his father stands out. It just feels absolutely honest.
While
Culture Club skyrocketed to the top, the public didn't know George
was also in a tempestuous (and also closeted) relationship with
drummer Jon Moss (Matthew Horne). The complexity of their
relationship is told with complexity and nuance instead of
run-through a more binary view of sexuality. For short scenes, they
pack a refreshing punch. Likewise, easy moralizing is eschewed in
favor of a direct, honest depiction of the effect drugs had on
George, though these “after” scenes seem shoehorned into the
story.
The movie treats both its characters
and audience as real, three-dimensional adults. Overall, Worried
About the Boy is a pleasant
surprise: a generously warts-and-all biography which scrubs the
makeup and artifice from its subject, while leaving him all of his
fabulous style.
Special Features:
Worried About The Boy
is presented in 2.0 Dolby Digital English Audio with SDH English
subtitles and in a 16x9 Widescreen format. The only extras are a
trailer and a 10 minute behind-the-scenes featurette.
Conclusion:
An upscale TV biopic, Worried About
the Boy charts the fiery rise
and fall of Boy George and Culture Club. Excellently crafted,
complex, and recommended.
Overall Picture:
Movie: A-
Extras: C-
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